There were many failed, goofy attempts throughout the early decades of film.
Then there was Batman in 1989. As strong of a debut as that was, I'd argue it didn't necessarily start much as Hollywood struggled to churn out worthwhile superhero films for quite some time after that.
Fast forward to the year 2000 and you arrive at X-Men. Personally, it's here that I dawn as the "arrival" of the superhero genre. It was soon followed by Spider-Man and, well, by the time we get to X2 and Spider-Man 2 a couple years later, the rest is pretty much history.
The X-Men franchise that started it all is certainly no longer the best franchise. That crown fairly easily goes to the enormous MCU (which owes a lot to these mutants) and proof lies in their two submissions from last year. One of which made the #2 spot on my Top 10 and the other took home the Rath Award for Movie I Most Overrated.
But there have still been a lot of really special things to emerge from the X-Men franchise. At the forefront of that statement is, almost unequivocally, Hugh Jackman's Wolverine. Throughout cinematic history there are characters that become owned by a particular individual. Someone who captures their essence so well and becomes them that you have a nearly impossible time of imagining anyone else in the role. Harrison Ford as Indiana Jones. Marlon Brando as The Godfather. Ian McKellen as Gandalf. Leonard Nimoy as Spock. Most likely Robert Downey Jr.'s turn as Iron Man/Tony Stark will end up in that list if it's not already there. And of course, Hugh Jackman's Wolverine.
Through the good times and the bad (and boy was there some bad), he's remained Wolverine. In what has spanned 17 years, 4 X-Men films, 3 standalone Wolverine films, and 2 X-Men related cameos he has always been Logan and Wolverine. Considering his workout regimen alone screams dedication, but giving yourself to a role for that long and across what essentially became two timelines of film series is impressive and makes it clear he cares about the character and the fans. We all knew that eventually he'd have to hang up the claws and it seems that time has finally come with his final stand as Wolverine, Logan.
With that in mind, there's obviously a lot of invisible weight that comes with the film outside of the confines of the story it wants to tell. There are rare times that you're sitting in a theater realizing/thinking: "This is the last time I'll be seeing [actor] portray [character]." I could probably right a whole essay about that feeling of life-moves-on that just the outward circumstances of the film carry with it, but instead I'll let you experience that for yourself and just get to reviewing the movie.
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Kanye West's new line of shirts. Now with holes and blood! |
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The haircut of every hipster in Denver ^^ |
Jackman of course embodies Wolverine and Logan once more and better than he ever has before. There's pain in his eyes and suffering on his face. In his most human moments he's a shadow of the man that we've come to know previously. It makes you feel sorry for him and the emotion that Jackman is able to bring to the role whether it be fear, sadness, loneliness, or rage is worthy of recognition. If I had more of a voice I'd humbly suggest him for a Best Actor nomination at next year's Academy Awards. Aside from my general distaste for them, I think it's a well deserved nomination (and even a win if he were to get it) not just because of this role but because of the effort he's brought forth to it for nearly two full decades now. At least to my knowledge, there's currently not a single other actor that can claim that achievement and evolving a character over a series of films, ending on about of much of a high note as possible is something that I think deserves highest honors. But what do I know?
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That Moment When... You know you f**ked up. Big time. |
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Two superhero icons. No doubt about it. |
Director James Mangold and Co. brings a lot of talent to the film overall as many technical elements are also much stronger than most of the other X-Men films. Cinematography is often gorgeous, editing left me with no complaints, sound design is terrific, the pacing is a tad slow, but fine, and the script is fantastic. For the final 30 minutes of the film the original score is outstanding, but I would have liked to seen that in the rest of the movie too, which is a bummer. By the time the credits role there just isn't much wrong with this movie at all and it's nice to be rewarded with a character's sendoff that's well-worth the trip.
Logan does indeed join the pantheon of great superhero movies, no doubt about it. It's not at the top for me personally, but I imagine that for others who adore this character, it will be. What Logan represents though is a mature step in a new direction for comic book series that are now entering double digit film series sizes. Not because of its R-rating, but because of its focus on the character. Because of the dedication it shows to the actor who's shown immense dedication to the role itself. Because it recognizes that sometimes superheroes hurt too, not just physically, and that sometimes they're not heroes anymore. Logan does all of these things in an entertaining, memorable, and poignant farewell to a character who has become iconic in the history of cinema. And whereas other characters are eventually recast, or the series has a reboot and gets a new star, Hugh Jackman has been and always will be: The Wolverine.
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Goodbye, old friend. |
- Ever so slightly overlong
- Original score is forgettable for much of the film
- A bit of a generic tale, all things considered
- Focuses on the character more than any superhero film before it. A character that has been with us for many years now
- Hugh Jackman as Logan/Wolverine is cemented as an icon, plain and simple. One of the best performances of his career in the role that has defined him
- Patrick Stewart turns in a touching performance as Charles Xavier as well. Equally as iconic
- Laura is a tremendous character and Dafne Keen is a step above other child actors
- A perfect villain for this film
- Consistently strong cinematography
- Strong, thoughtful script
- Amazing original score during final 30 minutes
- R-rating suits Wolverine incredibly well and it has been a long time coming. The violence seems to wear out our hero and add to the narrative of the film. Each fight is memorable and the film ends on a high note with one of the strongest ones
- A fitting end and tribute to the superhero that arguably started it all. Hats off to Hugh Jackman for sticking with a character and role and making it truly his own
Rath's Review Score | 9.5/10
The one MAIN thing holding Wolverine movies back is that they always seem to be about his past and other adamantium mutants. WHY! Ugh.
ReplyDeleteDude and wtf is with 'verifying' comments. It's now a major pain in the ass to comment when you have to verify you aren't a robot with 3+ questions about selecting images that are never ending. No offense but I think your blog would be perfectly safe not verifying comments because it's not a major publication. It's so difficult and over the top now.
I dont feel as if Logan dealt with it similarly as the other Wolverine-centric films did. It stood out to me.
DeleteAs for the comments, thanks for the feedback. I don't think it's my call to make (Bloggers) but I'll look into it. It could also be because you're commenting as Anonymous. Not sure if it does the same thing for those who are signed in.
I believe there is an option in blogger where you can turn off 'word verification'. Under settings and then comments. Before it used to make you check a box, then it would 'automatically' decide if you are human or robot, took 1.5 seconds. Now it has me select images over and over. I don't understand why. Maybe it is just me, not sure.
DeleteShould be fixed now. Thanks for the heads up!
DeleteThis was insanely refreshing in the over saturated (or shall I say painfully generic) superhero genre. Very touching
ReplyDeleteAgreed!
DeleteDo you know what was up with the whole crops/driving-trucks/water bit? Was there a bigger meaning there about the future being automated or something? The camera zoomed out to show those giant machines in the corn fields but I didn't understand what they were getting at.
ReplyDeleteI think it was just to emphasize that it was in the distant future...that a lot of time had passed between films.
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